That Was Then. This Is Now.

December’s a pretty busy time of year what with all the Christmas shopping, Christmas parties, Christmas itself (which realistically only lasts two hours), my sister’s birthday, school projects, the ballet, two plays, etc, so my friend and I decided it would be a good time to write a novel. Yes, we ripped off Chris Baty‘s November NaNoWriMo event and moved it to December because we were too lame (and late) to do it last month. 50,000 words, plus we get an extra day to do it in.

Oh, we also decided it would be well worth the effort to eat healthy and exercise every day while we were at it.

It’s the end of week one and I am totally impressed with ourselves. We both made our weekly quota of over 11k words. This is more words than I have probably written in the past ten years. They are not great words; it is not even a great story. In fact, I didn’t even have a clue what I was going to write about up until I sat down at my laptop on December 1 and had to write something.

My story is not going anywhere in the sense that I will never revise it or even consider doing anything more with it. At first, my Inner Critic was appalled.

IC: “What’s the point of spending all this time and energy and getting so stressed out to just write a piece of crap?” inner-critic

ME: “Well, Inner Critic, that is the point. Thanks to you, I have reread, rewritten, and reviled everything I have ever written to death, and it hasn’t gotten me anywhere. Why can’t I take this time to write something you have no control over and have fun with it? You know, fun, the way writing used to be before you showed up? And by the way, who the hell let you out of the kennel?”

So now my Inner Critic just sits on my shoulder and sniggers about the drivel dripping from my fingers as if he’s saying, “One day you’ll come back to me.”

That was then. This is now.

My friend and I posed the same challenge to ourselves in July. 50,000 words in 31 days. This time we failed. Neither of us even started past an idea in our head. We did manage to work on a graphic novel at least. But I felt kind of guilty that I wasted a whole month and never reached my goal even though I had already written three short stories. So I told myself that I would definitely write a novel in August.

Okay, it’s August 14, and I officially hate my Inner Critic. I’m seriously thinking about firing him because he’s a pain in the ass. When I was a  kid I wrote for fun, for me, for escape. I was the main character in all my stories and I led some pretty cool lives; I lived with rock stars, I dated rock stars, I was a rock star. I didn’t care about “character” or “plot” or “pacing” or “setting.” I just wrote and I’m pretty sure I hit all those elements without even trying.

Rock-Star

Then I got this brilliant idea: let’s go to school to study creative writing! And guess what? That’s when my stupid Inner Critic showed up! Now everything I write has to “measure up” to some invisible audience’s expectations. Or worse: a publisher’s. Consequently, education sucked the spontaneity, creativity, and innocence out of writing for me.

There’s been one project that I’ve been working on for awhile that I’m pretty proud of. It’s a fan-fiction serial based on World of Warcraft that I write in installments. I don’t write it for anyone but me and a few guildmates who may or may not even read it. I don’t plan on doing anything serious with it (like trying to get it published), so it’s actually fun and probably some of my best off-the-cuff writing.

That’s what I want to get back to with everything I write–that non-feeling of dread when I sit down at the keyboard (if I even get there). I don’t want to do character sketches, or plot summaries, or scene outlines. I just want to write with the same non-pressure feeling I used to when I could be anything I wanted. (Which was always apparently a rock star.)

 

Calling All You Writing Freaks

 

Halloween is by far the scariest time of the year. Not just because it is the one night when the veil between the worlds is opened allowing spirits, ghosts, and succubi to cross over into our realm or because gangs of teenagers run amuck through the streets toilet papering trees, waxing windows, and smashing pumpkins. Halloween is scary because it falls on the eve of NaNoWriMo. Yes, that dreaded month when every writer willingly surrenders himself into the depths of hell and participates in self-flagellation in the name of writing a 50,000 word novel in 30 days.

So I thought Halloween would be a great time to prepare yourself for the month to come. All you have to do is write for one hour at some point on October 31. It doesn’t matter what you write because the best part about this is that your writing can put on a costume and pretend to be whatever it wants for those 60 minutes. If it turns out to be just a character sketch, or backstory, or even a few lines of dialog, it’s okay! It’s come as you aren’t night. So don’t get all self-critical or go all hyper-editor on yourself. Just have fun! Because the next 30 days are going to be anything but.

In case you need a few suggestions to get you started, here they are: (and they’re all conveniently Halloween related)

1. Find an eerie image or a piece of haunting music to inspire you 

2. Write about what monster scared you the most as a child (or as a grown adult): vampire, Frankenstein, mummies, zombies, mad scientists, ghosts, witches, etc.

3. Write about what the town children would do if Halloween was canceled because of a freak weather anomaly

4. Pick your favorite Halloween costume from childhood. What was it? Why? Now write about what kind of life you as that “person” would have lived.

5. You’re getting your fortune told at a fair when the psychic tactfully informs you that you are already dead.

6. You foolishly accept a dare to spend the night in a cemetery/haunted house/abandoned prison/insane asylum/whatever.

7. You arrive at your friend’s Halloween party when one of the guests turns up dead.

 

 

Come on guys, it’s just one hour. Let go of your old habits and have fun with this. You never know where your next great idea will come from.

Enter this Halloween challenge…if you dare! Muwahahahaha.

Priorities, people!

I am a deadline fiend. Give me a date and a time when I need to have something done by, and I will do whatever it takes–stay up late, skip school, call out of work, etc.

In grad school, I thrived on deadlines. As part of a low-residency program, the creative writing degree required four submissions per semester via email to our mentors. Each submission consisted of two craft annotations, revisions from the previous month’s work, 30 pages of new material, and a cover letter detailing our experience. On top of that, we had to read between four-to-six books per month directly related to the genre we were working in or on the craft of writing books.

For the first two weeks of the month, I worked full-time, read all my books, and wrote my two papers. For the last two weeks, I took Fridays off from work and spent the entire weekends writing. On Fridays I would write from about 10:00 AM until 2:00 AM. Saturdays were the same except I would break from about 9:00 PM to 12:00 or 1:00 AM to play video games with my friend then back to writing until I fell asleep. Sundays I wrote from about 10:00 AM (or whenever I woke up) until 9:00 PM. I tried to write about one and a half chapters or roughly 15 pages per weekend. I got less done on Fridays because I always reread my manuscript from the beginning to get into the character, mood, feel, voice, etc.

The reason I excelled at this type of deadline was not just because I was getting something out of it (a terminal degree) but I didn’t want to let my mentors down either.

I have since tried to make my own deadlines to finish this novel or that screenplay, but I have never been able to enforce them or meet them. I blame it on my lack of priorities. I can sit at the computer and level my World of Warcraft toon until I use up all my rested XP or I hit the next level, but I can’t just sit at my computer and finish what I say I’m going to by my deadline. I guess I’m just not tough enough on myself.

Recently, it’s come to my attention that I am missing two opportunities to send my manuscript out to different publishers during their open submissions this month and missing an opportunity to enter a screenwriting contest with one of the prizes being a reading with Robert McKee. And it’s all because I failed to meet those self-imposed deadlines over the past few years. Oh, I get stuff done; it just takes forever.

Well you know what? I don’t have forever. I don’t want to miss anymore of those open submission calls. I’m sick of being a loser. I want a backlog of  manuscripts/screenplays ready to send out a moment’s notice. I mean, really, is this so hard?

(And don’t even get me started trying to complete NaNoWriMo or ScriptFrenzy. They happen in the two busiest months for me school-wise.)

I’ve decided what I need is to not call it a deadline. Because seriously, no one’s going to fail me if I don’t finish by a certain date. My “goal” is to finish revising/rewriting a specific manuscript by the end of the year (where have I heard that one before?).  And the reason why I think it might be doable this time is because I have a list of priorities.

The story needs some help not only with plot but with character. I also want to change from first-person, present tense narration to third-person, past tense narration. That will require one set of revisions. At the same time I’m going to focus on sentence variety (simple, compound, complex, compound-complex) and beginning sentences with more than just a noun, pronoun, or article.

Secondly, I’m going to do a major rewrite because my protagonist seems to have come down with multiple personality disorder. (I blame the photo I found for inspiration). I’m hoping this will lead the story to a plot more in line with my original vision.

And lastly, I’m going to tackle the first chapter. I’ve never really liked it and I think it’s because I’m not happy with the protagonist, so hopefully that by starting my revisions/rewrites after it, I won’t get frustrated and give up before page 10.

Around the Writer’s Block

Around the Writer’s Block: Using BRAIN SCIENCE to Solve Writer’s Resistance*

*Including Writer’s Block, Procrastination, Paralysis, Perfectionism, Postponing, Distractions, Self-Sabotage, Excessive Criticism, Overscheduling, and Endlessly Delaying Your Writing.

by Rosanne Bane

This is the postcard advertising a new book that I received in the mail. I don’t know where it came from, who sent it, or how my name and address ended up on this mailing list, but it’s like the universe is trying to tell me something.

Procrastination is my arch-nemesis, as well it seems is Perfectionism, Postponing, and Endlessly Delaying Your Writing. I think about what I’m writing all the time; I even visualize my story like a movie every night before I fall asleep but, when I sit down to actually write, I, well, sit there and not write. Nothing comes out right, nothing seems good enough, nothing is like how I had it in my head.

I had read another writer’s blog who said she wrote the first draft of her current novel in 6 weeks. Six weeks? Wtf?

She must not have a job.

Or she doesn’t constantly critique or edit herself and she just writes. Isn’t that what we all want? To just write?

It took me about a year and a half of graduate school to finish the first draft of the novel I am currently rewriting. Rewriting, in case you’re wondering, is worse than revising. It’s basically saying, “The first draft completely sucked and didn’t turn out the way I had originally envisioned it.” Moreover, it’s like saying, “Hey, I’m going to start working on a new story.” Except you can’t get the old characters, the old dialogue, the old plot out of your head and keep trying to make it work until you fail miserably.

So I might just take the plunge and buy this book.

For anyone also interested, here is what the back of the postcard says: (The parentheticals are mine.)

If you’re having trouble writing, it’s not because you’re lazy, undisciplined, or lacking in willpower or talent. (Thank God!) You just need to learn how to rewire your brain’s response to the anxiety of writing. (Or the anxiety of not writing, as it were.)

By utilizing the most recent breakthroughs in neuroscience, Rosanne Bane (I can’t stop saying Rosanne Barr in my head) details three habits every writer can develop to defeat writer’s resistance. As a writing teacher for more than twenty years, Bane has given thousands of writers the tools to break through writer’s block and other forms of writing resistance. 

Once you understand how your brain works (I’m not sure I want to know how my brain works, but okay), you can become the writer you’ve always wanted to be.

“Rosanne Bane’s ingenious application of research about our brains to the process of writing and her wise counsel overall can help writers at every level.” —Ralph Keyes, author of The Courage to Write and The Writer’s Book of Hope

You can find this book at http://baneofyourresistance.com/ and http://www.tarcherbooks.net/ .

Murder is Serious Business

I’m contemplating murder. Definitely more than one, but most likely less than three. An almost-three seems a good number.

It’s enough to say, “Hey, there’s a crazy Jack the Ripper killer on the loose. Could I be his next victim?”

Plotting a murder takes a lot of work.

First, you have to figure out who you want to kill. And there has to be a reason why you want this person dead. I mean, senseless killing is just stupid. There are really only so many motives for murder: love, money, power, revenge, and a whole host of offshoots. I’m not adding self-defense to the list because after all it’s hardly premeditated and no one would blame you. And if anyone brings up the Saw movies or I’m a Rob Zombie backwoods psycho-cannibal, I will murder you.

Secondly, it helps to know who is doing the killing. This can over-complicate things. Why stop at one killer? Let’s make a copycat killer. Or better yet, let’s have two killers with two completely different motives that somehow intertwine. But it’s best to keep things simple. Someone has something, tangible or preferably not, that someone else wants. The only logical choice is to kill them. Yes, there must be logic even in murder.

And lastly, there has to be someone who discovers the body, otherwise it would just be pointless and stupid. So word to all those unsolved murder murderers out there–leave a clue for god’s sake! You know you secretly crave fame and attention for taking another person’s life (as long as you don’t get caught). Or do you want to get caught? The only way someone will know how truly great and powerful you are is if someone says, “Damn you, John Smith! You killed my wife!” Or I suppose you might also want forgiveness. Either/or.

Seriously, how awesome would it be if we finally knew without a doubt who Jack the Ripper really was and why s/he killed all those prostitutes? I, for one, want to know what was going on inside his or her head. And I don’t buy into the old “I’m insane from syphilis” theory. It’s so pedestrian. But I suppose our not knowing has forced us to create a real person of sorts. We gave him a name (well, that one letter helped), we psychoanalyzed him, we gave him a top hat and a doctor bag and a flashing Lister blade. Yes, we, the people, created Jack the Ripper.

Why my obsession with Jack the Ripper? Why not, I say? No one can out-murder him. And it just so happens he is the inspiration for the novel I wrote for my MFA thesis, which I am now completely and utterly rewriting to get back to my original vision instead of the transparent autobiography it had become. Of course, my Ripper isn’t a man, doesn’t carry a doctor bad, and doesn’t kill hard-working prostitutes. Lazy ones, perhaps. (I do hate lazy prostitutes.)

A dead girl.

 

 

An English moor.
A mysterious killer.
And a creative writing student.
In Gaslight Alley.